The retaining of beings for making present in memory, as first encountered in the simile of the wax mass, is further elaborated through the simile of the aviary, as translated by Martin Heidegger in The Essence of Truth (215).

[Socrates] ‘Well, having and possessing seem different things. If a man buys a cloak and in this sense brings it under his power, but does not wear it, we should certainly say, not that he has it on, but that he possesses it’
[Theaetetus] ‘And rightly’
‘Now see whether it is possible in the same way for someone who possesses knowledge not to have it, in like manner, for instance, to a man who catches wild birds – pigeons or the like – and sets up an aviary at home in which to keep them. Might we assert that in a certain way he always has the birds, because he possesses them?’
‘Yes’
‘And yet in another way he does not have any of the birds, but has acquired power over them, since he has brought them under his control within his own enclosure. He can take them and hold them whenever he likes, by catching whichsoever bird he pleases, and letting it go again; and he can do this as often as he likes.’
‘That is true’
‘And again, just as a while ago we contrived some sort of waxen figment in the soul, so now let us make in each soul an aviary stocked with all sorts of birds, some in flocks apart from the rest, others in small groups, and some solitary, flying hither and thither among all the others’
‘Consider it done. What next?’
‘We must assume that when we were children this receptacle was empty, and we must understand that the birds represent the varieties of knowledge. And whatsoever kind of knowledge a person acquires and shuts up within the enclosure, we must say that he has learned or discovered the thing of which this is the knowledge, and that precisely this is knowing’
‘So be it’

The simile of the aviary

Heidegger’s Interpretation
When we are born this container in our soul is empty, gradually it becomes filled with birds, i.e. we become familiar with beings and store them in the aviary. We have the birds stored there as possessions, they are left to their own devices. Thus we retain them but they are absent, but we can make them present by the action of grasping, taking up an active relationship towards them. Thus in the sphere of making present, memory, the same thing can be absent and present, we can have it as possession (ktesis) without expressly bringing it to mind. We can also select it by grasping it, taking an active relationship of being towards it (hexis).

Whoever possesses such an aviary possesses the doves in this cage, in this container, but does so in different ways. First, by sitting in a house, in a room, and having the doves under a roof. In this way, he can possess them and add to his possession. But he can also grasp a dove inside the container. There is the fundamental possibility of taking something out of this domain and having it in a stronger sense, taking on a relationship of Being with it. (Being and Truth, 198)

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Assume then, by way of simile, that our souls contain something like a wax mass, sometimes larger, sometimes smaller, sometimes purer, sometimes more impure, sometimes harder, sometimes softer, and sometimes of just the right quality. [Everything that we immediately perceive, and also everything that we take in and comprehend, is imprinted upon it] … This wax mass, we say, is a gift of the mother of the Muses. (210)

The simile of the wax mass

Heidegger’s Interpretation

The soul contains a wax mass, into which all experiences are imprinted, its capacity to receive these impressions varies with the individual: “sometimes larger, sometimes smaller…” We can draw upon the impressions retained in this wax mass, in order to hold before ourselves that which is no longer present, or we are no longer with. We have a “connection of being” to what is absent, in the same way that an artist can “visualise and freely form their work in its entire fullness, prior to and without the help of any outline.” i.e. without a body being present. This capacity is the gift of the mother of the Muses, Mnemosyne, the goddess of memory, which belongs to the essence of the soul as a “primordial dowry.” (210)

Heidegger says this gift of Mnemosyne is not memory as recollection but as the faculty of mindfulness, the innate capacity of the soul to make-present that which is not physically there. In making-present that which is absent, we do not orient ourselves towards an inwardly stored image, but outwards towards the thing itself in its full appearance, which we betake ourselves to “without removing ourselves from our factual location.” (212) Since we do not have the thing itself before us from which to draw its eidos, its look, we orient ourselves to its eidolon, its look-alike [also simulacrum] retained in the wax mass inside the soul.

Thus our stance, through the soul, towards those beings retained for making-present, is that of mnemoneuein, the retaining of what is retainable, which Heidegger describes as a “faculty of the soul.” Yet what is retained is not unchanging, our relationship to it can change, we can forget, or the thing itself may change, so that our knowledge of it becomes distorted.

The making-present of the wax mass is essentially a passive having of what is retained. The simile of the aviary demonstrates a more active making-present of that which is retained.

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The failure of each of the three perspectives to explain the false view leads to their abandonment. In their stead the phenomenon of the pseudes doxa itself leads the way in what is now the main investigation, which seeks to clarify the nature of the “combined comportment” which the phenomenon of the false view demands.

The pseudes doxa is still approached in terms of knowledge, but rather than being thought as something we either know or do not know, what is looked for is what is in the middle of both, which Heidegger calls the “intermediate phenomena” of “coming-to-know.” This coming-to-know is explained through the process of learning; “in the learning process there is always something that one knows and as yet does not know.” (206) Thus, what lies in between knowing and not knowing, coming-to-know, combines the two. This allows a new perspective, the metasu, “what lies in between,” to be opened up, from which the phenomenon of the distorted view is now approached.

Through this new combined perspective, of coming-to-know, the complex duality of doxa is now better understood as requiring a comportment from ourselves “of knowing and at the same time not-knowing.” This in turn leads to the possibility of securing the essence of doxa, pseudes doxa and pseudos.

Rather than a philosophical impossibility, the false view is now understood as having an “intermediate character,” one which reflects the “condition and comportment of man wherein he is somehow related to beings, albeit distortedly.” (208) The phenomenon of the false view is thus intrinsic to our relationship to being, which was shown to belong to the soul. The soul is now revisited, in light of doxa’s combined duality, in a “new double characterisation,” given in the form of two similes.

These similes place us before two sensory images, the first a wax mass and the second an aviary, through which the soul’s capacity to make present what is not before us and its role in allowing us to see what is false are discussed. I shall describe each in turn.

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